When Stereo Mixer arrived, I opened it and was impressed with the solid packaging which insured Stereo Mixer did not arrive damaged in any way, shape, or form.
Overall, my experience was amazing. I hope this helps you make a solid buying decision for Stereo Mixer.
hooking up a mixer Stereo Mixer to stereo?
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Your question is too vague. You need to mention the make and model of the karaoke mixer, the type of karaoke player you have, and information about your stereo system.
problem = old receiver.While you “could” have a bad cable, it is more likely the phono contact is worn or corroded so that the phono input does not work correctly.Old receivers could even be affected by dust at the contacts.
Hi. They work well but will still be in mono. Look for a noise canceling mike. Pretty inexpensive.
A simple power inverter, Wal-Mart or Radio Shack will have them. Find out how much Amps our amplifier draws pick the right one.
The mic plugs into one of the large 3-pin mic inputs, turn up the ‘gain’, level and ‘main’ to hear the sound if you have an amp and speakers attached.If recording straight to a stereo input use the two RCA’s marked ‘REC OUT’ – if your mic is a condenser, switch phantom power on. For testing put headphones into the ‘phones’ socket.You have two more optional outputs ‘main’ goes to your main amplifier, ‘control room’ is a second output which you could use for foldback…Hopefully that will help??
Assuming the mics have male plugs on the end of their respective cables, you could get a “Y” adaptor in the correct size (probably either 1/4″ or mini) with two female leads and one mini male to insert into your mic-in port on the computer. You would probably lose your stereo and the two mics might over ride each other. But it’s a cheap way to try. Just go to any Radio Shack – bring the mics with you.-a guy named duh
(Assuming XP)Control Panel > SoundsIn ‘Volume’ tab, under speaker settings, click advancedSet the Speaker setup to ‘Stereo heaphones’
My personal suggestion: Skip the mixer entirely. Find a cheap audio interface that has at least 4 channels. That way you can bring in the tracks and edit them all individually. You also might think about getting one or two condensers for overheads. Condenser microphones pick up high frequencies slightly better and also have a better transient response than dynamics. You should stick to XLR cabling for microphones.-KDecka