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How do I run my guitar to an XLR plug on my PA Mixer Amp?
How do I run my guitar to an XLR Mixer Amp plug on my PA Mixer Amp?The guitar has normal 1/4" mono plug. I want to plug it into an XLR jack on my PA.Also, how will phantom power play into my being able to do this?
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Blink – Your DJ mixer’s OUTPUTS will connect to the audio power amp INPUTS. Any DJ or PA amp will work fine. You will need an RCA to RCA cable or an RCA to 1/4 inch cable:http://images.monoprice.com/productlargeimages/28641.jpghttp://www.zzounds.com/item–HOSCPR20
Well that depends on what type of gear you have. If you have a powered mixer (One that you plug the speakers directly into), then no you cannot connect the two. That would be an extremely bad idea. The inputs on an amp are line level. That means they are usually using power levels measuring in the milliwatts. The outputs on powered gear can range from about 50W to more than 2000 Watts. If you connect the two, you will end up with a fried amp at the least. However if you have an Un-powered mixer, then yes this would be a good idea. Just plug the main outputs (line level) from your mixer into your amp. This is just about the only way to power speakers from an un-powered mixer. You can plug line level inputs into any number of amps. Professional concerts can use 50 or 60 amps.Devices do exist however which take input of powered signals, and output line level signals. These boxes are called attenuators, or Active direct inject boxes. You could use one of these if you only have a powered output.So in summary: if it is a line level output, you can plug it into an amp. If it is a powered output, never plug that into an amp.I hope this helps.
Actually at 8 Ohm, you force more current (Power) through your amp, so there is the danger you will blow it up. I would not put any capacitors or resistors.
Hello there,You need the amp.Later,
Yes. Connect the powered speaker to a line level output.
The only way to get a decent sound is to use a mike. The line out scenario doesn’t capture the sound of the speaker. The speaker is an important and integral part of the amp sound.The industry standard is to place a Shure SM-57 at one of the speakers. You will need to do some testing to find the best sounding speaker as well as the best position.Usually, the mike is placed close to the grill without touching it. It is also common to angle the mike slightly away from the cone and somewhere between the cone and the outer edge of the speaker. But like I said, you will need to test what sounds best to you.The microphone signal is then fed to the mixer. Be aware of a common live sound problem when using vocals and smaller combos on a stage with live drummers. You will need very good monitoring to be able to hear smaller amps and vocals in such a setting! Even when you have a combo pointed directly at your head behind you, you may not hear yourself properly. This can be fixed if you have the amp close up, or you have good monitors.Another common mistake is to have a bass amp with too little power. In most live settings a 100 watts bass amp is not much to talk about. Things which sounds fine and loud in a rehearsal setting suddenly is way under powered on a stage.The audience, the room and the stage requires much more “juice” than you may think. It is not at all uncommon to have 400 watts or more on a live bass amp rig.A major part of the live art is to have enough power to be able to hear yourself, having very good monitoring (in-ear, floor wedges and maybe even side fills), and then being able to turn things down as much as possible in order to make the job easier for the person at the mixer. The less sound there is on stage, the easier it is to get a clean, balanced and loud signal out front with the vocals on top.
guitars are for gays
It would not be difficult to make, but if you’re asking the question, that might not be a good idea. Go to Radio Shack and describe what you want. The probably have something off the shelf, or if not, may be able to tell you where to look.
Are you saying you’re just running a mic “bare” straight into a power amp? no preamp? A small mixer would help you with some tonal variety but a mixer like that would be passive at least , meaning it’s not gonna give you more power – BUT it may help a bit. If you’re gonna go that route , think about getting yourself at least a small floor monitor so you can get something that you can hear where you stand.
All you need is a pair of RCA to 1/4 inch cables:http://www.zzounds.com/item–HOSCPR20These are available at stores that sell DJ equipment or Radio Shack.
You’re asking a lot of one amp. You need a fair amount of power and at least 3 channels with separate controls. This Roland keyboard mixing amp might work: http://keyboards-midi.musiciansfriend.com/product/Roland-KC150-Keyboard-Mixing-Amp?sku=480193 Even better is the bigger brother to it: http://keyboards-midi.musiciansfriend.com/product/Roland-KC350-120W-Keyboard-Mixing-Amp?sku=480194Alternately, you could buy a small mixing board like this: http://pro-audio.musiciansfriend.com/product/Behringer-Eurorack-UB802-Mixer?sku=631238 and plug it through any regular guitar amp. The amp should be at least 100 watts if you want to gig with it. Use the clean channel. Consider buying a used amp….more power for your bucks. You need a 12″ or 15″ speaker to handle the drums and keyboard.
If you could find any data at all on a plate on the amp, name, model, etc, Ken C would have a shot at identifying it. But for now, do not attempt to hook the amp to your PC. The results would most likely be horrifying, and we would never know, because your computer would be fried.For your mixing and editing, you need no hardware, only the software set on the page below. It is by far the best software for the job I have ever seen. There are over 20 software’s that work together, to do things you haven’t even thought of yet. The price is great, and I have dealt with the company for 30 years. Make a sandwich before clicking on the page, you will be glued to your monitor for a while.http://www.dak.com/reviews/2050story.cfm
The line out on your amp comes right out of the preamp, is what it sounds like, which means it doesn’t have the advantage of going through the speaker first…. besides actually pushing the sound, guitar speakers also act as filters, cutting out some frequencies and emphasizing others. The main way they do this is by acting as lowpass filters, ie, filtering out a lot of the high frequency noise caused during amplification.Some line outs are emulated, meaning they go through a cab simulator, meaning they get filtered before they get to your Tascam. Yours doesn’t, so you’ve got to figure out how to either make it sound like it’s going through a cabinet or stick to just mic’ing it.There are speaker simulators out there, and theoretically at least you can use EQ to at least vaguely approximate it, but it’ll sound better to just mic it. Some preamps and multifx can simulate a cab… so you could look into that too.Saul
Assuming the mics have male plugs on the end of their respective cables, you could get a “Y” adaptor in the correct size (probably either 1/4″ or mini) with two female leads and one mini male to insert into your mic-in port on the computer. You would probably lose your stereo and the two mics might over ride each other. But it’s a cheap way to try. Just go to any Radio Shack – bring the mics with you.-a guy named duh
A mixer is not required, all in of itself. There are other reasons why it might be needed.There are two kinds of amplifier inputs, Line level and Mic level. Some amps only can take Line level, so you need a pre-amp (which mixers contain) before plugging into the amp. If YOUR amp has a Mic input, then you’re good to go.The other reason for using a mixer is for multiple inputs to an amp in which some or all are used simultaneously, so you can set the relative levels of each input. For example, if you want soft background music while the person is speaking, you can lower the music volume so it doesn’t drown him out, without lowering his microphone, too.Oops, my bad. You said a lav mic RECEIVER, indicating that it’s wireless. Wireless mic receivers should have an output switch for low or high level (Mic or Line) out. Even if your amp doesn’t have a Mic input, you can still switch the receiver to Line level out and plug directly into the amp.