In case you need some more details, here is a full description and review of Lavalier Microphone:
In this review of Lavalier Microphone, I am going to show you both the good and the bad. After all, what is a review without some honesty, right? First, I have to tell you upfront that Lavalier Microphone is my favorite choice. Sure, there are other products in the same class, but frankly, none of them as good (in terms of quality). I do have to say this though. some other products may be better, but based on quality and price, Lavalier Microphone is the clear winner.
is their much difference between Audio Technica ATR-35S Lavalier Mic and the ATR-3350 Lavalier Microphone mic?
Audio Technica ATR-35S Lavalier Microphone&Audio Technica ATR-3350 Lavalier Omnidirectional Condenser Microphoneif so what? and which is better?
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I would highly recommend the RODE shotgun condenser microphone.http://www.guitarcenter.com/Rode-Microphones-VideoMic-Shotgun-Condenser-Microphone-103154019-i1126930.gc?source=4WFRWXX&CAWELAID=439935378It comes with a shock which helps prevent sound from transmitting through the base of the mic.It also has a nice frequency response. This means that it can record a wide range of frequencies from low bass to high treble.Because it’s a shotgun mic, it rejects off axis sounds very well. This means that it best picks up whatever you are pointing it at. It will try to ignore background noises coming from other directions. This is especially handy if you are filming outdoors.Also, if you plan to film outside, it comes with a wind screen. That’s the foam that surrounds the microphone. It greatly helps prevent wind from making a popping or blowing noise while maintaining nice crisp audio.
Since you can’t provide the model number, there is no way for anyone to know for sure without looking at the camcorder.There are four possible ways to deal with audio:1) Some Sony camcorders have a proprietary “active interface shoe” (AIS) that allows use of a Sony proprietary mic. The ECM-HW2 is a Bluetooth mic from Sony that has a base station which depends on the AIS for connectivity to the camcorder. Not exactly a “lavaliere” (the mic is not typically clipped onto a lapel), but it is relatively small – and wireless.2) Some Sony camcorders have a proprietary “active interface shoe” (AIS) that allows use of an “adapter” that bhphotovideo has availablehttp://www.bhphotovideo.com/c/product/564249-REG/Pearstone_9011300_Microphone_Adapter_for_Sony.htmlthat converts the AIS into a 1/8″ (3.5mm) stereo audio-in jack. Then you can plug in a wireles mic base station or XLR adapter…3) Some of the higher end Sony camcorders have a 1/8″ (3.5mm) stereo audio-in jack. While you *could* plug a wireless base station directly into this, in order to have multiple mics, it would be better to plug an XLR adapter into it (check BeachTek or juicedLink – among others). This can provide you with multiple mic inputs and good externally accessible manual audio control for each mic.4) Use an external “audio field recorder” (like the Zoom H2 or H4) and either use it as a standalone audio recorder or connect external mics to it…As for lighting… It depends if you need to have “on-camera” portability or wider lighting area coverage. For wider coverage (like a stage), I’ve been using four PAR56 and two PAR36 cans mounted to light trees – available from Guitar Center’s DJ area. I am saving up to replace the PAR cans with a few LED Lite Panels. For on-camera lighting, I like the LED light panels because they don’t get hot like the halogens. The Dot Line DV 60 with barndoors is a decent low-end unit – it does not have a dimmer – I think the Bescor unit does – but I have yet to need a dimmer. You do need to pay attention to the white balance on the camcorder, but you *should* be doing that, anyway. All this stuff is available from bhphotovideo.If your camcorder needs another accessory shoe, just add one or more… with a bracket like the Bescor VB-50.
Here is a link for your camcorder’s manual:http://books.jvcservice.com/booklist.asp?Model=GR-D850USPages 12 and 13 do not have any indication that there is a mic-in jack.Page 50 indicates only AV-out… and no mic-in jack under the “connectors” section.
Adam – Here is a good one:http://www.amazon.com/Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_4?ie=UTF8&s=electronics&qid=1267546680&sr=1-4
Liam – Any lav mic with a 1/8 inch connector can work with your transmitter. You will need a 1/8 inch female to 1/4 inch male adapter.This one comes with everything:http://www.amazon.com/Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO/ref=pd_cp_e_3
Like I said yesterday…you will not find that mic at a regular store. You can order it from a store like Guitar Center and wait for a week or two for it to come in. If you want it in a reasonable amount of time, get it online.What is your problem with online stores? As long as you are buying it from a reputable site, you should have no problems. Anything I cannot get locally, I always buy online and have had very few problems.http://www.amazon.com/Audio-Technica-ATR-35S-Lavalier-Microphone/dp/B00006I51V/ref=sr_1_1?ie=UTF8&s=electronics&qid=1282739999&sr=8-1
Try Audio-Technica AT8035 Shotgun Microphone.The length (14.53″) of the AT8035 line + gradient condenser microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power. Includes furnished accessories: AT8405a stand clamp for 5/8″-27 threaded stands, 5/8″-27 to 3/8″-16 threaded adapter, AT8132 windscreen, battery, and a protective carrying case. Price: $239.00 http://www.amazon.com/Audio-Technica-AT8035-Shotgun-Microphone/dp/B000ZLOGCC/ref=pd_bbs_sr_10?ie=UTF8&s=musical-instruments&qid=1237300679&sr=8-10&tag=commentglitte-20&linkCode=ur2&camp=1789&creative=9325
try looking in the menu to see if you can switch them
Depends on how loud they talk. Middle of the chest seems to be a good compromise!
While many wireless ’spy’ type of microphones do exist, many of the items seen in TV shows and movies are pure fiction. You can get lavalier mics, even wireless ones. But their range is very limited. A lavalier mic is just one that clips to your blouse or shirt or tie. If you look you will see them on newscasters. In the studio they can be wired or wireless but they don’t have to worry about getting out of range of a wireless mic inside a studio. To transmit her voice to her son’s computer at home she would have to be within a very short distance of home. If she were wearing bulky clothes and didn’t face any kind of suspicion or search, then she could use a bigger radio with the mic and get greater range. See the links below for this type of equipment.
After spending all that money on the camcorder, don’t undercut your investment by going cheap on audio.Wireless base stations come in two basic “footprints”:Big ones are generally used for bands or studio or more “static” installations. They are about the size of a small book and need AC ower using a wall wart.The small ones are closer to the size of a fat Blackberry, are designed to be mounted to the camcorder and are battery powered so they are totally portable. These are more geared toward “ENG” (electronic news gathering) environments.the actual mic element is connected with a wire to a body pack. The battery powered body pack connects wirelessly to the base station. the base station connects with a cable to the audio-in jack on the camcorder.Best would be UHF, full diversity. VHF is OK – but not best. Do not get the cheap “shared frequency” unts (900 MHz, 2.4 GHz, 5.8 GHz). They are cheap because they are in share spectrum and can pick up interference from garage door openers, wifi transmissions and home wireless phones – among many other things.Having some flexibility is a good idea… Look into the Sennheiser or Audio Technica or Sony (professional) portable, camcorder mountable) systems. Many can do either lav or handheld (the flexibility I mentioned). They aren’t cheap – but less then $1,000 is possible.
Best would be UHF, full diversity. VHF is accceptable.Regular suspects:Shure, Sennheiser, Audio Technica.*maybe* Azden.No Samson or Nady.Check Guitar Center, Musician’s Friend, bhphotovideo and adorama. Your budget is a bit low.
I can’t recommend Nady… sorry…If you look at what is most in use by the AV folks who get contracted to set up such things, you will find Shure and Sennheiser… and occasionally, Audio Technica.The Shure UHF Wireless SM58 systems are most common for handheld mics; either Shure or Sennheiser (occasionally Audio Technica) wireless lavs are typical.Of all the meetings I have attended, I have never seen anything but this stuff which is why I bought two Shure UHF Wireless SM58 systems and a Shure UHF Wireless lav system for meetings I had to support. I also have a few wired Sure SM58s on stands at the podium(s).
Any microphone with a standard plug/jack will work.
Basically the same mic – the 3350 is just the newer version.