This is exactly what I was looking for. Focusrite Saffire is awesome and was the best investment I ever made.
Hooking up hardware to Focusrite Saffire audio interface?
http://www.focusrite.com/product/saffireI Focusrite Saffire would like to hook up my Yamaha Motif ES8 keyboard and a turntable with rca outputs to my Focusrite Saffire. What is the most efficient way of doing so, without sacraficing quality of sound?
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Yes you are right, The audio outputs of sound card are digital whereas the audio inputs to your speakers are analog so you’re going to need some kind of converter, eg a Flying Cow convertor, or a different model DeckLink card or different model of speakers. I am not sure whether Focusrite Saffire LE external sound card has digital or analog, because there is no information given regarding that. So it’s better you ask the Manufacturer about it’s compatibility.
A digital audio workstation would be key. Check this article on DAWs – http://www.audioneeds.com/forums/content.php?15-DAW-For-BeginnersIf you still have questions after reading that – then ask some of the engineers on that forum… http://www.audioneeds.com – I’m sure they’ll help you find your answer.
I think its better to ask this question in music category.They can help you better
If it sounds so different in your studio than it does in a car, there are a few things you should check in to:The problem could be that you EQ the bass up a little on the vocals, and then when it gets played in a car with strong bass signal it becomes overkill. This could be happening because the studio monitors you’re using to listen to the playback might not be carrying the bass across well. Maybe you should replace your monitors, listen back through different pairs of headphones, or add a subwoofer to your studio playback setup.The problem could be the mic you’re using to record the vocals. If you’re recording hip-hop or rap, and you know that the vocals will be competing with a very strong, prominent bass line, you need to pick a vocal mic that will make the vocals sound clear, bright, and strong so they can still be heard over the crazy low end. If you’re recording at home, make sure the vocals are recorded in an area that is completely isolated from everything else – if you can hear any of the playback in the vocal track, the whole thing will turn to mud.I don’t think that the problem is coming from tracking in Cubase or your interface…if you’re listening to the mixes coming out of Cubase and they sound different in a car, I think the most likely explanation is the speakers or headphones you’re using to listen back and mix aren’t delivering the bass well enough as you’re EQing.However, if what you are listening to in the car has been mastered in Cubase, you might me spreading it to to large a dynamic range, and causing distortion. The mastering software in Cubase isn’t great, so if you master it too loud, any peaks could distort everything in the track. If that’s what you’re doing, try mastering it to a lower volume. It will be quieter on the CD, but unless you have professional mastering equipment you won’t be able to avoid that. The music will be better a little quieter on the CD then coming across distorted.
Turions are faster. clicks and pops are 100% driver issues since its rare to have IRQ conflicts now with PCI steering.
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