If you are seaching for information related to Xlr Xlr, this article will prove very helpful, to say the least. Even if your search is about other Xlr Xlr information you have come to the right article.
How do I build my own XLR y cable?
I need a female XLR to two (2) male XLRs.
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Post from: Pro Audio Microphones
Your mic is probably broken you should buy a new one.
Splitting the signal to feed two amplifiers should work fine. The amp inputs are typically high impedance and will not cause a mismatch.
Dude…Mustang? Everyone drives Mustangs these days…I’d pick a Cadillac XLR over a Mustang any day.Well, I guess it depends what KIND of Mustang. If it was an ‘07 Shelby, I’d take the mustang. Other than that, the Cadillac.But personally, I’d take a Trans Am over any of those…
Most XLR cords have one end that is female and one end that is male. Most mics are considered “male” so the female end attaches to it. Male has the three pins, female has three holes. It also depends on what your trying to plug the mic into, but in every sound board I have set up the male end of the cable plugs into the board, and the mic attaches to the female end of the cable.
There is no such adapter, because the USB on your mic is not an audio signal, it is a computer system bus, and is pretty complext to interface with. What you need amounts to a computer, or simply ust use a regular microphone.
Here is a link to a lavalier mic with wireless transmitter. If you plan to use more than two you will want to use a automatic mixer see link ( to eliminate feedback) you may also have to use a DSP for feedback as well. If your system was not designed with live sound in mind you may be in for trouble.
The XLR did fill the spot where Allante’ left off. However, they are not really related. The Allante’ was in fact the world’s fastest front wheel drive production car! The Allante started production in Detroit for the chassis and body was built in Italy by Pininfarina (the people who build Ferrari bodies)- the bodies were then flown to the US aboard special 747 Jets for final production. It was an expensive production process- explaining why they were around $65k when new and the XLRs were $77k when they came out. After 11 years- that’s not a big jump. Now, the XLR- many believe is a rebadged Corvette- that is not totally true. The XLR and Corvette are built in Bowling Green and the initial platform is similiar- but that’s where the similarities end. The XLRs platform is more rigid than the XLR because of the drop top design and Cadillacs structural integrity rating they wanted ( they wanted the car stiff with the top down ). The XLR is Northstar Powered, different suspension set up all together- Different interior, many many more features standard, and retractable hard top made of magnesium. The closest set up to a XLR is a SL500 Mercedes. Drive a Corvette then Drive a XLR and you will be able to tell that they are different animals.I have a XLR and Allante’ both and absolutely love them!
XLR is the normal 3 pin mic connector.http://www.greathometheater.com/images/xlr.jpgI’m guessing QTR means 1/4 inch connector (like a guitar cable).http://images.aandhmarketing.com/pics/tball/PLG025.jpgStick with XLR, that is what the pros use.
try checking out on youtube..
The best way is to get some belden mic cable at Radio shack and pick up one female and two male XLR connectors there.Look at an existing cable to see what the leads use. Then cut the wire into two piece, strip all the ends, twist the same leads on the two wires together. Put some solder on the connceting leads of all the XLR connectors, tin all the cable wire, then reheat each of the connectors and put the wires into the connectors.You can probably buy this unit at Radio shack, however.
Papi – You really don’t want to combine 4 mics into one input. It will not work well if at all.What you really want is a cheap mixer with 4 inputs – that will work great!This is a great little mixer:http://www.zzounds.com/item–BEHXENYX1202
You did not tell us which camcorder.If your camcorder has a 1/8″ (3.5mm) audio in jack and your external mic uses an XLR connector, then yes, using that “tail” should work – but I would not recommend doing that. It is too easy to put too much starin on that and break the 1/8″ plug in the cacorder’s jack.Use of an XLR adapter (like those from juicedLink or BeachTek) is strongly recommended. They also have an added benefit of providing easy-to-get-to audio gain controls/knobs and provide a mono/stereo switch so if your lavaliere mic is mono (and recording to only one channel in the camcorder when connected using the “tail”), move the switch on the XLR adapter to stereo and record the same audio to both channels.
Jessica – Yes that will work ok as long as you are not using a really long mic cable. The 1/4 inch type cable is more prone to picking up hums and noise but that is only a problem when you are using a cable longer than 15 feet or so.Your sound should be the same from that mic from either the 1/4 inch input or a XLR input.By the way, if you ever want to upgrade to a better interface that is not too expensive, this is the one I have and the quality is great:http://www.zzounds.com/item–LEXALPHA
if your boards have light-pipe or SPDIF it is rather simple, connect and set the software settings on the board to be what you desire (i use a Yamaha O1v as a slave to a very LARGE board)or depending on the age/connections available, you can connect the L & R outs on the small board to the AUX L & R ins on the larger board. any mixing of the mics would need to be done on the small board and then the overall level from the small board would be adjusted on the large board.
No. The “Webbie”, as the name suggests, is a video camera optimized for internet video… in other words, it’s an ultra-low-end model. Sony sure knows how to make a camcorder… I have several of theirs, it’s a fine brand. But you don’t get extra features at the low-end. So, there’s no microphone jack, and the built-in mic is mono-only. Like most of this sort of camcorder, it’s closer in design to a digital still camera’s video mode than to a standard camcorder: tiny lens, no optical zoom, higher levels of video compression, etc.What you might do is use an off-camera recorder. A MiniDisc recorder, a digital flash recorder, an iPod with one of the recording adapters, even a laptop computer with a decent microphone (if you don’t have a mic jack on the laptop, you can get “USB” mics, which are basically just microphones with USB audio interface built-in). XLR mics are generally higher-end stuff… my $2600 camcorder came with XLR jacks on it, but my cheaper ones, not so much. You can get an XLR to 3.5mm plug adaptor for devices that take an external mic, from a company called BeachTek… but they probably cost more than your “Webbie” did, just for the interface. See here:http://www.bhphotovideo.com/bnh/controller/home?ci=0&shs=beachtek&sb=ps&pn=1&sq=desc&InitialSearch=yes&O=jsp%2FRootPage.jsp&A=search&Q=%2A&bhs=t&Go.x=0&Go.y=0If you’re using off-camera mics, the trick is to properly synchronize audio, so that when you want to sync it up (this presumes you’re doing some video editing on a computer), it’s easy to find the sync point. You’ve seen this done before, though you might not know it. That stereotypical “clap-board” you see around movie-making… that’s what it’s for. High end film cameras don’t have on-camera sound, and professional film makers have their own crew for recording sound. The “clap” made by the clapboard provides the synchronization point for the multiple audio and video recording devices. I use similar things all the time to match up video from two and three camera shoots. Even if the “Webbie” audio isn’t all that great, it’ll record your sync noise and make it easy to match up some better off-camera source.