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where can I find/ download season Series Xlr 1 and 2 of megas xlr the comic series?
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You HAVE to watch Tengen Toppa Gurren Lagann!! It’s epic!! =DAnd Neon Genesis Evangelion too!
I believe you can find both season one and two at http://www.onemanga.com or http://www.mangafox.com.
The Gemini or the Art Tube would be your best bet. I don’t trust Behringer, they make some pretty sketchy products. Ideally, the Art Tube would probably work best for you, unless you need more inputs. It has a wider frequency range, and boasts about having virtually no noise. The Gemini may have more inputs but it doesnt seem as versatile.
So let’s go in order:Guitar Amp: Probably not the ideal place to put a mike because guitar amp frequencies are not really suited to a vocal application. If you want to use this amp and the mike has an XLR you will need an adapter to convert the XLR to 1/4″ phono plug.Laptop: Usually mikes used in a computer are not the same as one used in live sound. You will need another adaptor that takes the XLR connection to a 1/4″ mini plug, if you can even find one like that. If so then it will go in the 1/4″ mike input on the laptop. They make mikes specifically for computers so you might be better off with one of those.Sound Systems: If you mean a stereo sound system well it will depend on if there is a input that can handle a mike. Most stereo systems use dual RCA plugs for stereo input. Mikes are not normally stereo by nature, though if you use a mixing board which has XLR/phono plugs for their input you can similuate a stereo image from the board/amp/speakers. I have never seen a mono XLR to stereo RCA before but they may be around, you’ll just have to look around at somewhere like a Best Buy or Radio Shack if you are in the states or an electronics supply house.If you have a true sound reinforcement system then you would normally use the XLR input on the individual channel. There are volume and frequency modulation controls that allow you to tailor the sound to your voice.Hope this helps.
Lucas – Don’t bother with the high end XLR cables. I always look for cables that have good quality connectors from Switchcraft or Neutrik. I have been using Conquest Sound cables for years and they are very durable.There is no sound difference despite what anyone says.http://www.dirtcheepdirect.com/index.php?cPath=36_37_3117_3120http://www.boogiemusic.com/product_info.php?products_id=4977http://www.musiciansbestfriend.com/product_info.php?cPath=33_67_98&products_id=3829
Sources ( Microphones ) are always male. Inputs ( mixers ect. ) are always female.
Hi. The XLR is not a speaker connection. I am certain this is a direct out, meant for recording and hooking up to a PA.If there was a speaker out extension, then it is a 1/4 inch, regular jack, most of the times. A select few of the larger amps may also come with a dedicated (locking type) speakon connector – the same used on PA cabinets these days.If there is no connector in the back for extension cabinet or a plug in for the existing speakers, then you will have to manually link the speaker wires to a new cabinet.What ever, you do, be dead certain you know what you’re doing in order to match the amp load (in ohms) and that you do not play the amp without speakers connected. This is a tube amp (?) and you risk blowing the output transformer – very, very expensive.I would take the issue up with a qualified repairer/tech or a large instrument retailer to hear what they have to say.Or possibly … if this is one of these cheap, tiny combo things – not the larger tube thingy? Then you can more or less forget to use it with a gigging band. Way, way, way under-powered and an extension cab will not solve anything at all – just raise the cost without doing anything about the volume you will need.A 100 watt tube amp may potentially have been adequate. Most players use 250 – 400 watts and up on a bass in order to A. Be heard, and B. play clean without ripping their speakers apart.There is far more watts needed on a bass amp than say a guitar amp. If you look at a PA, then, the majority of power is used at the bass bins for the same reason. Takes more powers to get those low frequencies across properly
Yes, that’s plenty. But don’t forget, it’s not all about what you have, it’s how you use it.Take your time for micing. If one mic doesn’t give you the right sound the artist wants, try another.If you have enough inputs, it’s nice to record drums and a direct in guitar (or bass) for scratch. OR give the guitarist a basic drum loop to play to.Build up from there. Every band does things a little differently, it doesn’t really matter how it’s done, just that the band is comfortable. For a “scratch track” this is just recording a really quick guitar and maybe vocals to a metranome and the drummer can play to that. Most drummers can’t play the memorized song.The best piece of advice I can give you is to 1. make sure everyone is in tune (you can’t make up for them sounding bad) and 2. Put all the effort you can into micing everything.