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What's the difference between an "XLR to 3.5mm" and an Cables Xlr "XLR to USB" cable?
Any difference in sound quality if used to record vocals and instruments?
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XLR provides phantom power of about 50 volts, and your headphone mike needs 5v or less (my PC’s soundcard puts out about 3 volts, but it’s supposed to be 5v), so the basic problem is supplying power to your mike and disconnecting the XLR lead that supplies phantom power. What you can do is get a 3-cell battery clip, or a two-cell and a one-cell (so you’ve got 4.5 volts in series) and use that to power your headset mike. Here’s a schematic I threw together for you:http://www.flickr.com/photos/11888359@N08/2851742640/
What you need is a USB interface. For (an expensive) example. My Line 6 Pod XT. It has one guitar input and I think two mic inputs. A left and right output for guitar, or you can make it as a USB output, for direct input to your computer, but it’s like $200. You need to find a suiting interface. I think the M-Track Fast Audio Pro or something like that is $100, but I’m not sure if it supports XLR mics. If you can find a good quality one, get a microphone with a 1/4″ TRS cable. That will work with the M-Track. Getting an interface is just about your only option here. Try and find a cheap one that has XLR inputs and a USB output, and will be recognized as an audio device on your laptop.
There is a box that will do this:http://www.ramelectronics.net/audio-video/audio-converters-extenders/analog-to-digital-digital-to-analog/dac-digital-to-analog-converter-gtv-digaud-2-aaud/prodGEF00232.htmlThis box converts Toslink digital audio to analog RCA output. Your Behringer monitors probably have a 1/4 inch inputs too? All you would need is a pair of RCA to 1/4 inch cables:http://www.zzounds.com/item–HOSCPR20
No, because XLR is for balanced cables but jacks are unbalanced so there’s no direct converter or cable, if you’ve got a specific need though there’s no reason why you couldn’t make one…..
Bingo, my thought exactly. XLR is an input, not an output. If used for an output, it’s not an amp output, but a line-level output for bridging to another amp input.Not sure about the specs to your system (3-ch, is that left, right & sub?), but professional speakers have a parallel loop-thru for connecting a second speaker. Of course, half the power goes to one speaker while half goes to the other, so you’d have to drive them harder to get the same level as one speaker. And you’d want to do the same with the other channel for balance.You won’t blow out your system with too much power as your system can only send out whatever it normally does. Nothing will increase that. Nor will you damage the extra speakers since you’re divvying up that power among more speakers.
Assuming that your intelligent lights are 3 pin instead of 5 (as well as the controller) then i would go ahead and use mic cables. Also, with that short of a run and only using two fixtures I would really be surprised if you need a terminator on the last one. Just be sure to test if before you show up to the gig.We have a mixture of 3 and 5 pin connections, we use adapters and bring everything to 3 pin so that we can use mic cables for everything, including using one of the sends of our audio snake. This way we can have our lighting control in the crowd with our audio.
It will NOT effect the quality of the signal or the balanced properties of the cable by any detectable amount. You can run balanced lines for hundreds of feet with little or no loss in quality. It is better to use one cable of the apropriate length if possible though because if you use an extension cable, you are adding one more set of connectors to the cable. It just takes away a bit of reliability.
Firewire or midi mixer with 9 channels.
In professional mastering systems, or in systems with extraordinarily long cable runs through building walls, then shielded, balanced twisted-pair wiring is preferred, which requires the 3-pin XLR connector. In your home, unbalanced 1/4″ phone connectors will not have any difference. And, in fact, consumer equipment isn’t even designed to use balanced signals, so putting an XLR connector on it serves no purpose. Like painting wood with silver color so that it appears to be steel.
1/4 cable (”quarter inch”) is what you should use. (I presume that is what you are referring to as the ‘instrument cable’ ) The xlr jack on any mixer is a microphone input. Which is setup to be very sensitive so it can pick up voice and vocal sounds. Right next to the XLR connection, you should find a 1/4 jack. That is where you should be plugging your keyboard into. A 1/4 jack on a keyboard is less sensitive and is intended to intake a ‘line level’ signal. Which is much louder than a mic signal.Your keyboard should have 1/4 main outputs on the back side. That is what you should be using. The headphone jack is only used if you, the keyboardist wants to listen locally.If you have no choice and need to plug in to a XLR jack on a mixer. You must have a DI box inline. (Direct box) Its a small box that takes a 1/4 input, converts the line level signal down to mic level and sends it back out mic level.§
What kind of trouble are you having? Physical breakage, connector problems, hum pickup? You can spend a ton of money for high-end cables such as Monster or Zaolla, but anything made with decent materials should be fine. I mostly use cables made with Mogami or Canare cable and Neutrik connectors. They work fine and last indefinitely, unless you abuse them. If you have a steady hand and basic soldering skills, you can even make them yourself. peace.
Your mic is probably broken you should buy a new one.
Obviously here this one is the best place to get best cables.This one is the best Microphone Cable – XLR- XLR 10 Metre —>This great quality 10 metre Male XLR-Female XLR cable is ideal for home, studio & stage use with both vocal & instrument microphones. Well balanced, strong & durable with great results – A great low cost choice! Features: Balanced Cable Low Noise OFC Cable for low transmission losses Male and Female XLR Connectorshttp://www.amazon.co.uk/Microphone-Cable-XLR–XLR-Metre/dp/B001BB7I8E/ref=sr_1_4?s=electronics&ie=UTF8&qid=1288182127&sr=1-4&tag=knapaaai-21@@@
XLR connectors allow a balanced connection. A balanced connection is the use of 2 wires to carry the signal. A ground or shield wire isn’t used to help carry the signal. They’re twisted together a specific amount to provide a certain impedance. The use of a balanced cable helps eliminate noise pick up in the wire and for audio work they’re normally shielded. There are unshielded, balanced wires such as phone lines and most cat 3 and cat 5 computer cables. An XLR cable isn’t inherently any better than a RCA cable. They really have different uses. RCA (also called phono) connectors are used a lot for an unbalanced, line level signals.
Probably around 16 gauge. Maybe 14 gauge if the insulation isn’t too heavy. The problem is getting the complete cable through the rubber boot and into the connector. If the wire and insulation together creates a cable that’s too heavy it’s very difficult to do. Unless you’re going a fairly long distance, there’s no real need for a large cable.
A 3-pin XLR connector is typically used for a balanced, low impedance mic. They can easily be wire as an unbalanced mic but you need to match the mic impedance to the input of whatever you are using to record the audio on. If your camera has an external mic input it might be good to use that if you can. This keeps the audio in sync with the video. Even if you edit the audio later you will know how it should sync with the video. As long as your audio recorder is a quality device it shouldn’t make any difference what you use to record it.
Yes, you can use your XLR cables and plugs and connectors for a low power 9VDC application. Before you start doing all this, just make sure how many ohms your electromagnet coil has. If it is below 20 ohms, then you can not use a small 9V battery – you need a larger, more powerful battery, such as a stack of 6 AA cells that would easily deliver 1 A or more.